Transgressive sexuality and cultural hierarchy, the representation of the single woman in women's fiction, 1920s to the 1940s

Work, class and gender in Canadian fiction, 1890s-1920s

Renaissance geographies, space, text and history in early modern England

'Some things to not forget, a collection of short stories in the Scottish tradition'

Transgression and unity, language of Oscar Wilde

Leaves which whisper'd what they could not say, Petrarch reading early modern English and Scottish Petrarchism, c.1530-1630

News style, how the discourses of newswriting produce and restrict British broadsheet news texts

Transatlantic ruin in the writing of Nathaniel Hawthorne

Hell is where the heart is, a study of symbol, myth and motif in the fiction of Malcolm Lowry

Individualism and Wyndham Lewis, a case for reconsideration

Myra, beyond Saddleworth

Morrissey and the ghost charabanc : exploring the ghost charabanc

What we leave behind, a novel and critical commentary

Postnationalism and performance culture, questioning culturally 'Scottish' productions in contemporary television, theatre and film

The end of motion, John Donne and the final cause in natural and moral philosophy

Subject relativizers in early modern drama, a study based on the visualizing English print project parsed corpus of early modern drama

Debates on female education, constructing the middle ground in eighteenth century women's magazines and the novels of Fanny Burney and Jane Austen

Narratives of Scottish history and identity in pro-independence poetry written for the 2014 Scottish referendum

Problems of cohesion and coherence in the writing of non-native advanced learners of English, the case of 4th year English specialists, College of Education, Sana'a University, The Republic of Yemen