Thesis

The role of critical thinking in visual arts in Chinese higher education

Creator
Rights statement
Awarding institution
  • University of Strathclyde
Date of award
  • 2026
Thesis identifier
  • T17629
Person Identifier (Local)
  • 202063605
Qualification Level
Qualification Name
Department, School or Faculty
Abstract
  • In Chinese higher education in the visual arts, students often focus on improving technical skills, while the development of critical thinking receives less attention. This tendency limits the depth and originality of artistic work, and it can also affect students’ further study and career development. Against this background, this study examines the role and value of critical thinking in Chinese higher art education and explores how teachers and students understand and use critical thinking. The study used qualitative methods, including semi-structured interviews with teachers and students, classroom observation, and discussion of artworks. The findings show that critical thinking is seen as an important part of artistic thinking, and it can support originality and meaningful expression. However, although students recognise its importance, their opportunities to practise it are constrained by policy pressures, traditional classroom routines, and assessment systems. Critical thinking in Chinese visual arts education is also shaped by cultural orientations. It often takes the form of internal reasoning and negotiated judgement rather than public confrontation, which contrasts with Western approaches that place more emphasis on open debate and explicit critique. On this basis, the study proposes a culturally adapted model of critical thinking for visual arts education. The model keeps the cognitive foundation of Paul and Elder’s framework, while extending it through collective orientation, the integration of creativity and emotion, and the reconstruction and generation of meaning. It conceptualises critical thinking in art learning as a socially negotiated, emotionally embedded, and generative practice. The study also offers practical suggestions for teaching, assessment reform, and teacher development. It provides a context-based framework for supporting critical thinking in higher visual arts education and offers reference points for future curriculum reform and teacher training in China.
Advisor / supervisor
  • Roxburgh, David
  • Wall, Kate
Resource Type
DOI
Date Created
  • 2025
Embargo Note
  • The electronic version of this thesis is currently under moratorium due to copyright restrictions. If you are the author of this thesis, please contact the Library to resolve this issue.

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